Tim has worked with clients across the globe such as McLaren, Lexus, Aston Martin, and Peugeot for many years to provide high quality photographic image assets for use in both our clients marketing and advertising campaigns. An award winning creative photographer with a passion for what he shoots and a distinct style who is known for both his ability to perform complex lighting and who is equally at home both on location and in studio. 

Tim works with some of the world's most iconic car brands through his photographic commercial work, operating globally for our clients and agency partners he is well known within the industry and has built a solid reputation over the years to deliver a project both on time and on budget effectively. We have years of experience working both directly for manufacturers as well as through agencies and we understand the importance of brand guidelines and making sure that our image assets flow through into the clients current library seamlessly. Tim is creative with an eye for detail and a passion to create new dynamic work for our client's that matches their brand and marketing requirements. 

Tim "Creating great and impactful high-end photography for clients is the end game with me always however I think it's our time served experience within the transport sector that really counts for my clients and the people that I work with. Sure, we can go into studio or on location and shoot images of fantastic cars and vehicles but often the real complex work goes on behind the scenes before we reach that stage to pull all the elements together to allow us those days where we get to shoot those images the way that they are anticipated. This is where I work closely with agencies and clients alike to ensure that we have all the required planning and logistics in place to allow for a smooth and creative shoot. I am always happy to work with production companies and we are always open to client idea's and work to always support those to the best of our abilities. I don't think people commonly realise how much is involved sometimes in just getting to a 'shoot day' and I firmly see it as part of my role working with the client to help them and advise them on this, drawing from my own experience over many years of shooting literally all around the world both on location and in studio. As well as the planning of the actual shoot I ensure that I am totally familiar with the clients branding needs and we also look at the end usage in advance so that we are firmly set to capture a campaign image or a sequence of cohesive image assets that will be correct for what the end client needs to use those for. At the end of the day this is business and I take the responsibility for the photography for a client campaign or such like every seriously, I feel in some ways that attitude plays a major role in the fact that we are always taking on new clients and we retain a very high level the companies that we have undertaken work for over the years. My attitude is firmly that our work should always be an 'asset' to the client and not a 'cost' 

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